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A century prior, on third May 1913, the legendary Dhundiraj Govind Phalke affectionately known as Dadasaheb Phalke, discharged India’s above all else epochal film Raja Harishchandra. In those days, none, …

Dibyendu PaulA Quick Scan on Indian Cinema: Then and Now
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The late Satyajit Ray frequently communicated lament about the absence of value composing on film by its own particular professionals. Filmmaking is such a demanding process that directors – especially …

Ayan DebSpeaking of Films – A Book Review